"The legendary Serge Resonant EQ now with voltage control over each band - for #eurorack."
SERGE VC RESONANT EQ - A CLASSIC RELOADED
The legendary Serge Resonant EQ is a filterbank with ten bands, designed for electronic sound synthesis and processing, providing formant peaks and valleys similar to those found in acoustic instruments. It is one of the most unique sounding modules with an enormous spectral range. For the VC version, voltage control over each individual band has been added - an attenuverter (CV processor) allows to determine exactly whether the CV applied shall emphasize or decrease each filter band. Each band now also has an individual output. The CV inputs can also be abused to feed audio signals - e.g. form an external oscillar or one of the individual outputs - into the system. The eurorack version adds a two-channel mixer with attenuators and a Feedback section which allows to feed back the output signal. A powerful tool for sound processing but also for sound creation! There are three equalized outputs: the two Comb outputs provide the sums of the two alternate filter bands while the two top outputs are the mix of all filter bands. Please note that there is no sharp separation between the bands, moving any frequency knob will have an influence on both Comb outputs.
"We are checking out the Feedback Modules VCZIII VCO Oscillator - both type A and B. The VCZIIIA and VCZIIIB are modelled after the EMS VCS3 synthesizer and have similar design and functionality as the original.
The mailbag series are videos where I receive parcels and open them for the first time. Plug the item in and test it out, showing you my first impressions of the items. These generally aren't reviews, nor are they a polished product demonstration. I'm more after the raw end user approach here."
"Butterflies, bats, 16mm swarm: Gieskes Klok modulates itself and No Drum and Olivia Artz Modular Uncertainty, which modulates No Drum, while Klok gates No Drum."
This appears to be the first post to feature Olivia Artz Modular. Details on their modules follow via Perfect Circuit and Noisebug.
"Uncertainty from Olivia Artz Modular is a 2hp coin toss module; it is open source, with new, user-swappable firmware being developed. So, it will continue to grow and offer new functionality!
In the standard firmware, the top input accepts gates, triggers, or any signal between -5V and +5V. Based on whether the input is positive or negative, it uses two different types of logic to produce gates at the corresponding eight outputs. If the input is above +1V, then the module does eight differently-weighted "coin tosses"—one for each output. If the outcome of the toss is "heads," a +5V signal is output for as long as the input stays above 1V. If the input signal is -1V or lower, a slightly different coin toss algorithm is used, where the outputs are paired—if the result of the toss is "heads," the upper output of the pair in question sends out a signal, and if it's "tails," the lower outputs sends out a signal.
Alternate firmwares are available for free, and loading them is as easy as plugging in your module via the rear PCB USB connection, dragging on a file, and you're done. The first new official firmware is a VU meter—with the panel LEDs displaying the current voltage level, and each LED getting a dedicated gate output—somewhat like a multi-window comparator! Olivia Artz's Uncertainty module is a great way to add chance operations to your rack without sacrificing space.
UNCERTAINTY FEATURES
2HP chance module with alternate firmwares available Default firmware uses two distinct coin toss algorithms to convert incoming bipolar signals into eight streams of outgoing gates Open source One CV input with 10-bit resolution Eight gate outputs"
"GSDrum, or Gimme Some Drum, or Gimme Some Kick Drum is a 10 hp drum synthesizer module. It really shines as a kick module, but can do other drum sounds such as toms or something out of the syncussion, or act as a bass synth tracking it 1v/oct.
This is not a typical kick oscillator using the 'Twin T' approach, GSDrum uses a v/oct tracking triangle core VCO with an OTA based VCA.
There is CV control for the trigger of course, along with v/oct tracking, Linear FM, and VCA accent inputs.
The Timbre knob shapes the oscillator starting at a sine wave, to a triangle wave, all the way to an overdriven square wave.
Influenced by the Korg ER-1 drum synthesizer.
The accent input can simulate midi velocity or drive your sound even more.
You can jump to any section of the video here:
00:00 Opening
01:03 Introduction
01:42 Walkthrough Begins
01:50 Pop
02:07 VCA Envelope
02:58 Pitch Envelope
04:05 Tune Knob
04:15 VCA Knob
05:07 Timbre Knob (Waveform morphing)
06:16 Accent Input
06:57 v/Oct Input
07:10 Linear FM Input
07:40 Feedback Patching
08:43 Kick and Drum Sounds (Minimal Talking)
10:11 v/Oct Bass Line Demo (Minimal Talking)
11:17 Accenting with Sequenced Gates (Minimal Talking)
14:25 Frequency Modulation with Sequenced Gates (Minimal Talking)
Special thanks to Blue Lantern Modules for providing the modules for this video."
"Part of the 'Gimme Some' series. Gimme Some Drum....
What does this module do?
This module is a complete mini synthesizer that specializes in making analog kick drum sounds.
This product does not use a "Twin T" approach to make it's drum kick sound. This is using an actual 1v/octave
triangle core vco, and ota based vca. The shaper circuit that converts a triangle wave into a sine wave was brought to the front panel. The shaper knob was calibrated to start its shaping at the beginning of a sine wave, and end with an overdriven square wave.
This parameter is called 'Timbre'.
This product can produce a wide variety of ultra generic analog kick drum sounds.
Influenced by the Korg ER-1 drum synthesiszer, but laid out in an analog fashion.
-toggle switches are connected to 'timing' capacitors. You can select decay legnths on the fly.
-Depth Knobs let you precisely dial in how much punch, and loudness you want.
-Accent input lets you simulate 'Midi' velocity but with a positive CV input signal. This makes the Amplifier go louder in volume.
This is basically a CV input for the VCA circuit.
-POP parameter creates a clicky sounding, short audible pulse.
All the internal circuitry was optimized for drum kick. You really can't goof up and not make a percussive sound.
All you need is a triggering signal.
Internally Pre-Patch Products: OTA Triangle Core VCO + Sine Wave Shaper + Assist Percussion Utility
Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!
You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.
The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!
FEATURES
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.
SPECS
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona
Space-conscious lowpass filter and volume processor.
A combination of VCF + VCA + Mixer that lets you mix three different sound sources, and shape their tone, and levels in a breeze.
The Pony Filter is built around the SSI2144 FATKEYS™ Chip. Has the elegant sound of the classic transistor filter without the associated distortions, due to Dave Rossum’s “improved ladder” topology.
FEATURES
3 Channel Mixer (Out normalized to channel three for feedback)
Temperature-compensated Q and frequency.
Compensated Volume VS Resonance
2 Cuttof CV INs.
CV 1 Selectable routing Cut-Off or Cut-Off+VCA
Voltage controlled Q
Two Segment Peak Meter
SPECS
Four-pole, 24 dB/octave
Current needs: +12V=50mA, -12V=45mA
Width: 6 HP
Depth Assembled Version: 22mm
Depth DIY Kit Version: 35 mm
Designed, kits prepared and assembled in Barcelona.
"Yeah. I made episode 03 before I was able to finish episode 02 so I decided to post them both. There's no need on this channel to manage posts to maximize views, I just want you to be able to find information when you need it and I just LOVE to make content like this. I made a lot of videos about the EV in the past and it's covered in the old Shared System tutorials (link in video). In this video, I am going to try something new.
In this episode, I'll only use Erbe-Verb and DXG in a feedback loop. So no fancy 7U case layout this time, I made this video to find out if it can still be relevant in 2024. Since I am totally biased, you'll need to decide for yourself. Honestly, if you need a regular reverb, maybe a stereo module would serve you better.
Erbe-Verb is going for a limited rerun in black and gold, so this also means it's getting old and possibly moving to retirement. Without speculating too much, it's possible that MakeNoise is working on a successor now they have this amazing new ARM DSP board. But again, I have no idea. What we DO know is, that Erbe-Verb is widely considered as one of the best reverbs in eurorack, even though it's not the best reverb as a reverb. Que?
It excels in creative use and abuse. It will never get old and whatever comes next, it will pair well with the EV (it pairs really well with a Mimeophon, StarLab, Sealegs or Desmodus Versio).
Apart from the sound design fun, Erbe-Verb plays a big role in the Shared System signature sound. While it's partly overshadowed by the more recent Mimeophon, the Mime's 'halo' only adds a little space. It's nothing compared to the 'icy sheet metal in deep space' sound from the EV, which can easily double as a classic spring- or plate reverb when 'absorb' and 'tilt' are used to tame the high end. I've never been a fan of the predelay, but it can do amazing things with modulation and gates/triggers.
The Erbe-Verb is 'mono IN' so it needs to be used as a send/return with a stereo voice like XPO or Spectraphon. Here's where a ModDemix comes in handy. You can use CH1 and CH2 to pass on your stereo mix to let's say an X-PAN, and use the Sum out to EV. Then you can patch the EV's stereo out to X-PAN's aux inputs. It's a lot of patching and modules for a verb, but it provides a lot of freedom."
"Bartender is a 24hp 4 Channel Expandable Stereo Performance Mixer. There are two stereo sends, DJ cue headphone out, stereo and mono master output, stereo/mono switch for each input, post/pre sends, 3 way mute switch with momentary mute, panning, and cv control over pan and the level VCA. You can also expand a Bartender with another Bartender!
Barback is a 10hp 2 Channel Stereo Mixer Expander module for Bartender. Connect them together on the back of the modules and add 2 extra stereo channels with send/return accessibility to your mix.
Send VCA gives you CV control over the Send VCA. When connected, the Send VCA CV inputs will open up the send VCA all the way to the max limit set by each send knob.
All three modules are available now and can be found at After Later Audio’s website:
"Sigmund is far from just another delay. Four delay lines that can be interconnected in several different ways provide an incredible degree of sound-shaping freedom.
"Sigmund is far from just another delay. It provides an incredible degree of soundshaping freedom.
The plug-in consists of four discrete delay units, each with an independent set of parameters that offer you the freedom to shape your sound. There’s an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. With Sigmund, this is especially true as each of the delay lines has complementary modules such as filter and overdrive built in, working independently from the feedback loop. The delay lines themselves can also be combined together in several ways. Sigmund’s user interface has been designed from the ground up to be as intuitive as possible. Everything is presented as if on a silver (or brushed aluminum) platter, cleanly and clearly laid out with instant access to each section and its parameters."
"We explore the Plectrum module from Belgium-based Morphor, and demonstrate all of its features. The Plectrum is an all-analog implementation of the Karplus-Strong algorithm for plucked string sounds. It uses a BBD 'bucket bridge' delay, and a one-pole low-pass filter to create the algorithm's all-important feedback loop. In this demo, we introduce the algorithm and show how the different knobs and CV sources affect aspects of the sound. We also try out the advanced 'loop extender' feature that allows us to add other modules into the feedback loop of the Karplus-Strong system.
00:00 Introduction 00:14 The Karplus-Strong plucked string algorithm 01:02 Overview of the Morphor Plectrum 01:59 Basic functions and controls (feedback, color, pitch) 04:45 Using different trigger signals and noise bursts 05:59 CV input options 08:55 Loop Extender with Rossum Electro-Music Morpheus Z-plane filter 10:48 Loop Extender with Metasonix R54 Supermodule VCO/VCF 12:36 Demo with Make Noise Rene driving the Plectrum 14:01 Conclusion
"VCF2600 is set in resonance mode and modulated by the LFO100.
All the waveforms and functions are tested one by one."
LFO 100
Complex analogue LFO from a vintage Japanese modular system!
We injected some steroids in this LFO and the results are lot of features. Not only you can use individually the 8 waveform outputs, but you can use the alternative two linked outputs for which you can select any of the waveforms.
This alternative output has a VCA so you can fade in the LFO signal in a
defined duration with a potentiometer.
The stairs like waveforms can be changed from 16steps, 8steps, 4steps or mangled. All of these are seasoned with cv control and waveform reset.
2600 VCF
This filter is based on the classic 2600 from the seventies and uses the LM3900 Norton opamp chip.
It has an audio inputs, two CV ins and an audio out.
You can control audio input level, CV levels, frequency cutoff and resonance.
It has a beautiful sound and it can go from relatively clean to dirty and screamy depending on audio signal level and resonance.
"VCZIIIA SAW is mixed with VCZIIIB SQUARE and with SUB modules.
All three are mixed to the VCF2600. The end of the patch is VCA2600 controlled by the ENV100.
You can hear the bubbly sound of the VCOs, these VCOs made with transistors are not so linear as other VCOs."
"VCZIII VCOs modulating each other. The shape of the waveform is changed by the 4 slow sine LFOs combos of CMS SLOSINES.
You can hear how the FM timbre is affected by the waveform nature."
"The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analog instruments, the famous British pin matrix synth released in 1969.
The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer."
"A minimal jam using 2 Chance Delay modules, triggered by a sequencer clock, with the Entropic Doom to create both percussive and melodic noise-based sounds. Also a simple dual-oscillator analogue bass line using 2 Vintage Transistor Core VCOs and the Transistor Ladder Filter. Turn on Subtitles/Captions for an explanation of what's going on.
The Chance Delay generates randomness with its 'Chance' control, which determines the probability of gates occurring. It also uses its Length control to divide the frequency of the incoming clock signal - this is done by forcing the gate lengths to exceed the interval between clock pulses, and not producing further gates until the current gate cycle has finished. It also has a gate-delay function, and all three of these features can be voltage-controlled.
The Entropic Doom is a noise generator with a built-in, voltage-controlled, low-pass filter. This VCF has 2, 3 and 4-pole modes, and is resonant, producing significant self-oscillation in 4-pole mode, whilst also tracking 1V/Oct. This means it can be used melodically, extending it's usefulness beyond just noise washes or percussion. Additionally, it includes an audio input to add other signals into the pre-filter feedback loop, and it can sync it's noise frequency to an external source. To top it off it also features a CMOS ring modulator and XOR VCA, both of which can be used with or without the rest of the module. This thing can go from subtle and pretty timbres to crushing, mangled, distorted chaos.
The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com
Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.
"Sonic State caught up with Eli from Morphor Radical Acoustics at NAMM 2024 to delve into their intriguing range of Bucket Brigade Delay (BBD) modules. Eli introduces the Plectrum, Morphor's second version of the AP1, highlighting its fully analog design using a 124-stage Bucket Brigade Delay chip. The new version features CV-controlled feedback, allowing users to manipulate the length of the notes even up to self-oscillation, providing a wide range of sounds from subtle to extreme.
Continuing to use BBD modules, Morphor have created an Ensemble with eight-voices in stereo that serve as a powerful chorus on steroids. Eli also unveils three new essential modules, including a VCO, a VCA with an inverted ADSR envelope, and a versatile LFO all available soon.
The SeM20st is a stereo version of the first module bubblesound put out, the SeM20. It has become one of the classic filters in the EurorackWorld.The SeM20st is the most versatile analog stereo filter on the market today.
The inputs on the Left side are all normalized to the Right, so one input can be turned into a stereo signal.There is an Offset for the Left Cutoff, this allows a wider stereo field and is especially useful if the input is coming from a mono source.The CV inputs on the Left can also control the Cutoff and Resonance of the Right side.The Right side CV Cutoff pot is an attenuvertor, when it's at noon it's off, turn clockwise from noon the pot acts like a normal attenuator, gradually adding the CV to the Cutoff.When it's turned counter-clockwise from noon the CV is inverted, acting like an inverted ADSR.This can be used with a single LFO into the Left Cutoff CV to create a sort of ping-pong with the 2 sides, as the Cutoff goes up on one side it goes down on the other.
The Resonance section is exactly the same as in the SeM20, but with the Stereo version the Resonance is controlled by a VCA, allowing for CV control of the Resonance.The Resonance CV will work with either an LFO or an Envelope.
Outputs: Channel has 4 outputs available: Low, Band, High and Notch Passes. The Notch Balance pot sweeps from Low Pass to High Pass and can produce some really nice phasing.
width: 10HP
current draw: +45mA -35mA depth: 35MM
Next we have the SpringVerb
The SpringVerb is a classic analog Spring Reverb Driver with a few extras.
The input signal goes into a state variable filter that is capable of self-oscillation.Then the filtered signal goes to the reverb driver, into the tank and back to a Voltage Controlled Crossfader for a CV-able Wet/Dry.The switch under the filter select switch determines what goes into the "Dry" side of the Crossfader. It can either be pre or post filter.
There is a Voltage Controlled Feedback section as well as CV for the Cutoff Frequency and the Resonance of the filter section.
The Feedback does exactly what it says, it feeds the Post Tank signal back into the input section. It can go from very subtile to guitar and amp style feedback.
The Filter is very similiar to the SeM20, so the Resonance is aggressive.The input can be overdriven a little, depending on what the input is. Unlike the SeM20 it doesn’t really clip, but just like the SeM20 when the input is low and the Resonance is high most of what comes out is Sine waves.
Outputs: Filtered, Reverb Only and Mix
Tank:The SpringVerb comes with a medium decay, 3 spring tank and is compatible with many others.
Sequencer Jam: Gear list ... Behringer System 100m modules: 110 (x2), 182 Sequencer, Behringer 2500 modules: 1004 Oscillator (x2), 1006 FiltAmp, 1033 Dual EG, Feedback Modules: Mix BX, Mix CR, 106 Chorus, Intellijel: Metropolis, Planar2, Sealegs, ALM Pamela’s New Workout, Melekko Varigate 8+, Voltage Block, Noise Engineering Basimilus Iteritas, Strymon Magneto, Happy Nerding FX Aid, Erica Synths Black BBD, Roland System 500 modules: 521 Dual VCF, 530 Dual VCA, 540 Dual EG, Expert Sleepers ES-8, FH-2, 2HP Tune, Klavis Quadigy, Mordax Data, Roland SE-02, MX-1, TR-8, Ableton Live Suite 11 - including the following VSTs: Arturia Vocoder V, Cable Guys Shaper Box 2. Recorded audio through RME Digiface, Roland MX-1 and Presonus Studio 192. Oh, and there's also the Waldorf Streichfett going through the Orion from WMD, and the Novation Peak ... phew!"
"This video is about Rung Divisions, by Fancyyyyy Synthesis. It’s one of the most inspiring modules I’ve used recently, but it’s also quite a hard one to sum up in one sentence.
It has two main components. The first is a clock divider which outputs pulses that you can combine in two buses to create polyrhythmic patterns. That drives a universal shift register which outputs pseudo-random, chaotic or looping stepped voltage patterns. It’s an evolution of Rob Hordijk’s Rungler circuit, which is at the heart of the Benjolin synth. And there are dozens of interesting musical applications for it - a few of which I explore here.
NB: Fancyyyyy Synthesis sent me this unit to check out, but I don’t get any other sort of payment. This is a demo, not a review, and this channel is a hobby, not a job, so I only showcase things that I’m genuinely enthused about.
More stuff from me:
https://tomchurchill.bandcamp.com/
https://soundcloud.com/tomchurchill
https://www.instagram.com/tomchurchill/
Chapters:
00:00 Intro and patch previews
02:46 Rung Divisions overview
05:54 Drum trigger sequencing
09:54 Melodies from pulse divisions
14:14 Shift register sequencing
20:15 2-channel pitch sequencing
24:00 Patching a voltage-controlled clock divider
27:42 Shift register as a VCO
30:22 Rungling for chaotic sequencing"
Rung Divisions combines a universal shift register, a “divide by n” pulse divider, analogue noise, and several logic and binary operations. These functions synthesise an array of predictable and unpredictable digital signals at arbitrary time scale.
Rung Divisions’ primary use is as a complex polyrhythmic gate generator that drives a chaotic / pseudo random / looping stepped cv pattern generator, with voltage control over the pattern “direction”, length, and chance of the pattern looping. The combination of these features can be used to generate auditory illusions similar to a stroboscopic effect – like the visual aliasing of a wheel that appears to stand still and reverse direction at speed. Rung Divisions is built with solid state & discrete logic blocks to work at frequencies between 0–40kHz. The module is designed to drive multiple voices with gate patterns and CV, or to generate audio rate mayhem - these functions can be combined through patching with other modules that can take input signals over a wide frequency range.
Rung Divisions behaves in many surprising ways with feedback and self patching - the module has propagation delay compensation to allow for all outputs to be used in feedback loops.
Polyrhythmic Clock Divider Random / Looping Sequencer Chaotic Stepped Signal Generator 12hp 35mm deep +12V 58mA -12V 42mA Complete redesign of the 2018 module, building on the original features in multiple ways: Universal shift register - can shift data in two directions Dual gate bus with three position switches CV over pattern length, shift direction and chance of loop Analogue noise output Clock pulse width affects all outputs 1-bit, 3-bit and 8-bit data encodings All solid state and discrete logic, runs at wide bandwidth Expander ports for upcoming dual oscillator, cv addressable clock divider, bit sieve and random voltage sources
"We believe that our two new stereo modules in the Drum Series will seriously elevate your drums by adding a dynamic sound treatment. Explore a collection of custom hi-fi delay and reverb effects with the Stereo FX module, driven by our new DSP engine or, sculpt your sounds with the Stereo DJ VCF, delivering the distinctive filtering style commonly found on DJ decks.
Timeline:
00:02 - Take 1 / 12" Record through the Stereo VCF and Stereo FX. VCF is modulated with the Pico EF.
01:49 - Take 2 / Breakbeat through the Stereo FX, Stereo VCF and Stereo Compressor. VCF is modulated with the Pico EF.
02:52 - Take 3 / Sample sent through the Stereo FX different Delay modes.
04:29 - Take 4 / Bongo loop through the Stereo FX. Syncing delay time and freezing reverb by tapping the Patch encoder.
05:24 - Take 5 / Rimshot sent through various Reverb modes.
06:32 - Take 6 / Drum break through Stereo FX. Saving and loading different patches.
07:37 - Take 7 / Cowbell through Stereo FX in Delay mode modulated with the Octasource.
08:19 - Take 8 / LXR Drum module through the Stereo FX on which saved patches are switched with CV.
09:13 - Take 9 / Track from the Sample Drum sent through the Stereo FX and Stereo DJ VCF."
See the dealers on the right for availability.
The STEREO FX module brings hi-fi stereo effects into the Erica Synths Drum Series.
Based on our new DSP engine, the module provides a wide range of custom delay and reverb effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.
Features Hi-Fi stereo FX module 3 delay and 3 reverb effects Tap and clock synchronization of delay time Delay time divisions and multiplications in sync mode 10 preset patches CV control over delay time, feedback, and preset selection The FX is developed in collaboration with the Dutch company 112dB which offers some of the best-sounding VST instruments.
RRP 270 EUR | MAP 329 USD
As its name suggests, the Erica Synths DJ VCF STEREO module provides sound treatment functionality typically found on DJ decks – it is fully open when the cutoff knob is at 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is initiated. Additionally, there is a nice-sounding, adjustable resonance parameter. This provides hands-on control over the sound during performances as well as unconventional timbre modulations that are hard to achieve with conventional state variable filters.
Features Fully analogue stereo DJ-style VCF Manual cutoff and resonance control Two cutoff CV inputs, one with an attenuverter
Today I'm auditioning a few humongous bass patches featuring the Gyrinx VCF, no effects. Feeding only a couple of 101-VCOs and Pittsburgh DNA Symbiotic Waves. Modulation by 2xADSR and Feedback Modules LFO, Sequenced by Keystep Pro. Headphones or good monitors recommended. Recorded direct to Tascam DR-05, no other mastering just a little normalization.
"Thanks to Modular World for putting out the Reverb Challenge.
Here is my offering from yesterday's marathon, Buchla 275 Dual Spring Reverb in Feedback mode. The only other modules are the 281 Function Generator controlling reverb depth and panning of the 207 Mixer. Here is audio only: https://soundcloud.com/user7621213/su...
See all participant offerings here:"
Patch-On // REVERB (Patch-challenge tribute to reverb!)
"Our patch-challenge series returns to Modular World with a celebration of REVERB.
50 artists from 15 countries perform 5-7min sets expressing their love for reverb as they see it.
You will see it ALL on this remarkable marathon experience."
"It's Tech Thursday! In these concise videos, we bring up some overlooked and advanced features of our modules.
This week, we tackle feedback patching with the very versatile Filter 8. Patching an output to the EFM allows us to craft vastly different waveforms than just the original sine waves that Filter 8 resonates at."
